Tag Archives: Culture

Galileo Galilei pictured in his early 40s c. 1600.

Return to Normalcy

Over the last week, I've been thinking about the standards we define to cast a model of normality, or in an older term normalcy. This week then, I try to answer the question of what even is normal? — Click here to support the Wednesday Blog: https://www.patreon.com/sthosdkane


Over the last week, I’ve been thinking about the standards we define to cast a model of normality, or in an older term normalcy. This week then, I try to answer the question of what even is normal?


One of the great moments of realization in my life to date was when it occurred to me that everything we know exists in our minds in relation to other things, that is to say that nothing exists in true isolation. The solar eclipse I wrote about last week was phenomenal because it stood in sharp contrast to what we usually perceive as the Sun’s warmth, and a brightness which both ensures the longevity of life and can fry anything that stares at it for too long. So too, we recognize the people around us often in contrast to ourselves. Everyone else is different in the ways they walk, the ways they talk, the ways they think and feel. We are our own control in the great experiment of living our lives, the Sun around which all the planets of our solar system orbit.

There is a great hubris in this realization, as a Jesuit ethics professor at Loyola said to my Mom’s class one day, in a story she often recounts, no one acts selflessly, there’s always a motive for the things we do. That motive seems to be in part driven by our desire to understand how different things work, how operations can function outside of the norm of our own preferences or how we would organize them. I might prefer to sort the books on my shelves by genre, subgenre, and then author; history would have its own shelf with the history of astronomy in its own quadrant of that shelf and Stillman Drake’s histories of Galileo set before David Wootton’s Galileo: Watcher of the Skies. Yet, at the same time I could choose to add another sublevel of organization where each author’s titles are displayed not alphabetically but by publication date. So, Stillman Drake’s Two New Sciences of 1974 would be placed before his 1978 book Galileo At Work.

This shelving example may seem minor, yet one can find greater divergence in book sorting than just these small changes here or there. My favorite London bookseller, Foyle’s on Charing Cross Road, was famous for many decades for the eccentricities of organizing the books on their shelves by genre, yet then not by author but by publisher. This way, all the black Penguin spines would be side-by-side, giving a uniform look to the shelves of that establishment. It is pleasant to go into Foyle’s today and see on the third floor all the volumes of Harvard’s Loeb Classical Library side-by-side with the Green Greek volumes contrasting with the Red Roman ones on the shelves below. Yet to have books organized by publisher when the average reader is more interested in searching for a particular author seems silly. Yet that was the norm in Foyle’s for a long time until the current ownership purchased the business.

Our normal is so remarkably defined by our lived world. In science fiction, bipedal aliens who have developed societies and civilizations are called humanoid, in a way which isn’t all that dissimilar from how the first generations of European explorers saw the native peoples of the Americas. André Thevet wrote in his Singularitez, the book which I’ve translated, that the best way he could understand the Tupinambá of Brazil was by comparing them to his own Gallic ancestors at the time of Caesar’s conquest of Gaul in the first century BCE. Even then, an older and far more ancient normal of a time when he perceived that his own people lived beyond civilization was needed to make sense of the Tupinambá. The norms of Thevet’s time, declarations of the savagery of those who he saw as less civilized for one, are today abnormal. Thus, our sense of normal changes with each generation. For all his faults and foibles, Thomas Jefferson got that right, in a September 1789 letter to James Madison, Jefferson argued that “by the law of nature, one generation is to another as one independent nation to another.” Thus, the norms of one generation will both build upon and reject those of their predecessors.

At the same time that we continue to refer to the aliens of fiction in contrast to ourselves, we have also developed systems of understanding the regulations of nature that build upon the natural world of our own planet. The Celsius scale of measuring temperatures is based on the freezing point of water. At the same time, the Fahrenheit scale which we still use in the United States was originally defined by its degrees, with 180 degrees separating the boiling (212ºF) and freezing points (32ºF) of water. the source of all life on our own planet and a necessary piece of the puzzle of finding life on other planets. I stress here that that water-based life would be Earthlike in nature, as it shares this same common trait as our own. So, again we’re seeing the possibility of other life in our own image. Celsius and Fahrenheit then are less practical as scales of measurement beyond the perceived normalcy of our own home planet. It would be akin to comparing the richness of the soils of Mars to those of Illinois or Kansas by taking a jar full of prairie dirt on a voyage to the Red Planet. To avoid this terrestrial bias in our measurements, scientists have worked to create a temperature scale which is divorced from our normalcy, the most famous of these is the Kelvin scale, devised by Lord Kelvin (1824–1907), a longtime Professor of Natural Philosophy at the University of Glasgow in Scotland. Kelvin’s scale is defined by measuring absolute 0. Today, the Celsius and Fahrenheit scales are both officially defined in the International System of Units by their relations to the Kelvin scale, while still calculating the freezing point of water as 0ºC or 32ºF.

In this sense, the only comparison that can be made between these scales comes through our knowledge of mathematics. Galileo wrote in his 1623 book Il Saggiatore, often translated as The Assayer, that nature, in Stillman Drake’s translation, “cannot be understood unless one first learns to comprehend the language and interpret the characters in which it is written. It is written in the language of mathematics, and its characters are triangles, circles, and other geometrical figures.”[1] I love how the question of interplanetary communication in science fiction between humanity and our visitors is often answered mathematically, like the prime numbers running through Carl Sagan’s Contact which tell the radio astronomers listening in that someone is really trying to talk to them from a distant solar system. There one aspect of our own normalcy can act as a bridge to another world’s normalcy, evoking a vision of a cosmic normal which explains the nature of things in a way that would have made Lucretius take note.

I regret that my own mathematical education is rather limited, though now in my 30s I feel less frustration toward the subject than I did in my teens. Around the time of the beginning of the pandemic, when I was flying between Kansas City and Binghamton and would run out of issues of the National Geographic and Smithsonian magazines to read, I would sit quietly and try to think through math problems in my mind. Often these would be questions of conversions from our U.S. standard units into their metric equivalents, equivalents which I might add are used to define those U.S. standard units. I’ve long tried to adopt the metric system myself, figuring it simply made more sense, and my own normal for thinking about units of measurement tends to be more metric than imperial. That is, I have an easier time imagining a centimeter than I do an inch. I was taught both systems in school, and perhaps the decimal ease of the metric system was better suited to me than the fractional conversions of U.S. Standard Units, also called Imperial Units for their erstwhile usage throughout the British Empire.

In his campaign for the Presidency in 1920, Republican Warren G. Harding used the slogan “Return to Normalcy.” Then and ever since, commentators have questioned what exactly Mr. Harding meant by normalcy. I think he meant he wanted to return this country to what life had been like before World War I, which we entered fashionably late. I think he also meant a return to a sort of societal values which were more familiar to the turn of the twentieth century, values perhaps better suited to the Gilded Age of the decades following the Civil War which in some respects were still present among his elite supporters. I remember laughing with the rest of the lecture hall at the presentation of this campaign slogan, what a silly idea it was to promise to return to an abstract concept that’s not easily definable. Yet, there is something comforting about the idea of there being a normal. I’ve looked for these normalcies in the world and seen some glimpses of it here or there. Perhaps by searching for what we perceive as normal, we are searching within our world for things we have crafted in our own image. We seek to carry on what we have long perceived as works of creation, the better to leave our own legacy for Jefferson’s future generations to use as foundations for their own normal.


[1] Galileo Galilei, Discoveries and Opinions of Galileo, (Garden City, NY: Doubleday Anchor Books, 1957), 238.



Cultural Homogenization

Photo by Dave Frisch on Pexels.com

One of my favorite YouTubers is J.J. McCullough, a Vancouver-based political columnist for The Washington Post who creates videos discussing topics of culture, politics, and society here in North America. In the summer he made a video discussing the topic of cultural homogenization, of how all cities here in the US and Canada tend to have a fair number of similar things going on. It’s a thesis that I agree with, though with some hesitancy.

I for one am happy with this idea that you can go to any major city in these two countries today and generally feel rather familiar with your surroundings. It’s why I’ll often prefer to stay in chain hotels over smaller super-local B&Bs or even use Air BnB or VRBO when I’m traveling. I like the fact that I know what to expect in a hotel room from the generic furniture to having the same soaps and shampoos to having the same set up with the TVs. When I travel, I’m not traveling to spend my time in a hotel, rather I want that consistency as somewhere I can return to and feel familiar in after a day of going around a city that I may not know quite as well.

Likewise, on the long drives I’ve done four times a year for the past 3 years between Kansas City and Upstate New York, I’ve often mentioned along the way that I feel at home in the suburbs of the various cities I tend to stop in. In particular, my usual overnight hotel in Columbus felt quite familiar, in part thanks to its modern décor and highly suburban surroundings, far more so than Binghamton, NY where I’ve been working on my PhD. This has led me to often remark that leaving Columbus is like leaving the familiarity I’ve come to know and appreciate in the urban Midwest as I head into the Appalachians of New York.

The biggest difference here that I’ve noticed between Binghamton and the other American cities I’ve lived and worked in––Chicago & Kansas City––is that Bing has had a rougher recent economic history than either of the two. While Chicago was able to survive the decline of older industries in the Great Lakes Region, aka the Rust Belt, through its sheer size and the diversity of its economy, and while Kansas City has had a renaissance of its own in the last twenty years to the point that it is today a thriving, growing metropolis with ever increasing opportunities, Binghamton has never really had the size or the economic diversity to stay as strong throughout the bad last few decades of outsourcing jobs and closing down old factories in some of these older towns and cities in the Northeast. There are some hints of this continental North American culture here in Binghamton and in Broome County more broadly, just look at the national chains that line Vestal Parkway, but in its current state I argue that this city has far more in common with the other old industrial centers of the Northeast, particularly in New York and Pennsylvania that have seen their main industries move away within the last 40 years than it does with the broader North American culture.

Still, there are moments when I’ll be driving around suburban Broome County where I’ll find myself remarking how similar the houses are to some of the older Cook County suburbs of Chicago, albeit built in a valley surrounded by what the US Geological Survey calls “small mountains.” I myself am a child of the western DuPage County suburbs of Chicago, and after moving grew up on the far western edge of Kansas City, Kansas, whose older neighborhoods to the east are equally similar in their character and in the age of the buildings to some places here in Binghamton, Johnson City, and Endicott.

In seeing those similarities I’m seeing the broad cultural trends of a century ago. Just as today there are particular architectural styles that are in fashion across this continent, from the renovation of old urban industrial buildings into lofts to the big glass buildings that mark the styles of the later 2000s and into the 2010s, a time when after the worst of the Great Recession had passed, I do think in retrospect we’ll say was a time of optimism, however short it ended up being.

In the media I consume, I’ve often found it interesting that I’ll prefer to watch the national evening news broadcasts over the local news. In my own case I’m a PBS Newshour guy, and there’s something about watching that broadcast that I know millions of other people around the U.S. are also watching, and that it’s coming from a studio in in the Virginia suburbs of D.C. (a place I know very well), that makes me feel like I’m a part of a wider community. The same goes for watching Jeopardy! every weeknight. It’s a show that I know a big number of people watch from all living generations, and it’s 30 minutes a day when I can feel like I’ve got something in common with all of them. I don’t otherwise watch much popular TV, and when I do watch shows that’ll catch the headlines like the recently released Lord of the Rings: The Rings of Power, I often have to ignore those same headlines and subreddits for how negative they often become. In those moments, that hour a week, I want to enjoy the story and not be caught up in what other people might think about it.

Our world is built on mass-production in every sense of the word. We wouldn’t be able to sustain the lifestyles we lead, nor our current population, without industrialization. So, while I will go on a limb and try out the local cuisine when I’m traveling, whether that’s crab cakes in Maryland or the breakfast burritos in Austin, I still like to see what my usual staples are like in a given place. I’ll freely admit to preferring to get a burger or pizza or chicken when I’m doing overnight stops in cities in part because after a day of traveling, I don’t want to be as adventurous, yet also because I can use that baseline, that control, to see how they do the same sorts of meals in a given restaurant in one city and compare it to all the others I’ve tried that in. In some cases, like at Mr. Bartley’s Burger Cottage in Cambridge, Massachusetts it was a wonderful choice, in others like at many of the places I’ve ordered burgers at higher altitude in the Rockies, it’s been a poor choice seeing as I’m less of a fan of well-done beef.

Yet with all this mass-production it strikes me as funny that we often have our very particular ways of distinguishing ourselves, from monograms to those new Facebook avatars, that are themselves mass-produced. I first started seeing this style of monogram, one large letter surrounded by two smaller letters, when I was in college. They often became near logos for the people who used them, yet those very personal symbols were themselves created from templates and used by millions of other people. I did the same thing with the logo for this podcast, which I chose out of a set of templates as a matter of convenience when I was creating it, my own meager attempts at making a logo had all been rejected by Anchor’s formatting.

When it comes to some of the very local sayings that J.J. mentioned, like the often-heard Kansas Citian remark, “if you don’t like the weather just wait five minutes,” it’s something I’ve also heard in many other cities. When I moved to London, I found that our North American customs surrounding weather & seasons made a lot more sense there. The dates when we demarcate our seasons, Winter & Summer starting at the solstices, Spring & Fall at the Equinoxes, makes sense in Europe. It doesn’t make sense here in North America where the weather fluctuates dramatically within a given day. Even now, I’m wearing short sleeves on a 66ºF (19ºC) day in Upstate New York and watching the leaves now past their Fall peak begin to be blown off the trees by the impending winter air. Last week, by comparison, I was wearing thick wool sweaters, wool socks, with a coat, hat, and gloves when outside. Our weather makes a lot more sense when you think of it continentally, after all no one place is entirely separated from everywhere else in North America when it comes to the weather. The snow that strikes the Dakotas one day could well fall in the Mid-Atlantic States a day or two later.

I love Kansas City, and Chicago, the two cities I consider to be my hometowns. I love the things they do that are different from other cities, like Chicago’s hot dogs, Italian beef, and deep dish, or Kansas City’s barbecue. They are the two cities where my own experiences, and my family’s American experience has played out, both in their old urban neighborhoods and in the postwar suburban sprawl where I grew up. I appreciate all the things they have in common, things which they share with much the rest of the metropolitan cities of North America. That’s what’s made places like St. Louis, Denver, Columbus, Indianapolis, suburban Maryland & Virginia, and even Toronto feels like a place where I could settle down. I’ve heard Toronto referred to as a cleaner version of Chicago. It’s what’s made the big merging metros of the Northeast––Philly, New York, and Boston––feel less foreign to me than the cities that lie between them and the Midwest.

I’m happy that we have so much in common in this time when we seem so set on dividing ourselves into parties and camps constantly at odds with each other. Our commonalities demonstrate how much we depend on one another.

Culture

This week, some thoughts on what keeps a culture alive.

I really enjoy going to concerts and hearing all sorts of musicians from all around the globe perform. I’ve been lucky enough to attend some historic concerts, such as the 2012 performance of the Cuban National Symphony Orchestra at the Kauffman Center in Kansas City. It was their first performance in the United States since the beginning of the embargo on Cuba in the 1960s. In that moment I could feel echoes of a vibrant and lively culture living alongside my own in the same moment in time. The way the musicians put their own spin, their own rhythm on Gershwin’s Rhapsody in Blue to make it sound Cuban was wonderful to hear. Still, the setting of the concert hall where there is a clear physical barrier between the performers who stand or sit on a stage frozen in place with an audience watching all around does sometimes give me chills. 

There have been many other concerts that I’ve attended where music or stories from particular cultures are played or told, relayed to us an audience foreign to those artists’ culture. Yet the way they’re transmitted, removed from the physical surroundings of those artists’ home, placed on a sterile stage where we can hear and see everything in perfect clarity, takes something out of the performance. It worries me that in America we’ve come to expect that particularly “cultural” things, especially if they’re foreign or “ethnic” ought to be neatly packaged in an expected format and set up. That way they can be interpreted through our own cultural lens in such a way that if I see a bottle of Italian seasonings in the grocery store, I’ll be able to tell first and foremost that those are seasonings. Yet in that standardization of culture to fit a set mold into which all its many and contradictory elements can be poured and melted down, we lose a great deal of the memories and the life that those cultural artifacts embodied.

My own people, the Irish Americans, have an interesting relationship with this. We still maintain some elements of a distinct culture from other European-descended ethnic groups in the United States, though I know some reading or listening to this might object to my use of the word “ethnic” to describe a community so assimilated into mainstream American society. The problem for me arises in trying to answer how our culture is still even partially Irish. Here in Kansas City, we have plenty of people who play Irish music, myself included, as well as a couple of local Irish dance schools. We even have a local Irish Center where classes in the Irish language are taught. Yet when most of those cultural milestones are performed, they are often more so in delineated places and situations where they are expected, say at the Kansas City Irish Fest, rather than more organically on a regular basis as a daily part of life. 

One of the great exceptions to this rule is with music, after all some of my favorite concert memories have been sitting in on the jam sessions at the Irish Center and at other venues around town, even in the homes of friends. There, an element of our Irish American culture is still being performed organically, like a group of friends getting together one evening for a party. It just so happens that instead of playing the Top 40 Hits at that party they might pull out their own instruments and play their own top 40 for themselves.

Culture is fundamentally performative, and to survive it must flourish organically in the setting where it exists. This past weekend I had the honor of serving as a groomsman for one of my best friends who is Greek Orthodox. The wedding took place in his church, and clearly seemed to be an unfamiliar ceremony to many of those present who weren’t themselves Greek (myself included). Still, I found the chanted prayers and hymns––most of which were performed in English––to be fairly easy to learn, and after the first one I was able to add my own voice to the congregation. Later that evening the typical wedding reception DJ hits were freely interspersed with Greek dances, which likewise for the average participant were far easier to pick up on than any of the Irish dances I’ve done over the years. There’s a culture that’s still vibrant in how ordinary its performances tend to be for the people who live it every day.

It struck me that the idea of having Irish music played at an Irish American wedding reception would probably be met with shock, after all most of us don’t know the steps for the jigs and reels that make up Irish dance today. Furthermore, someone is bound to be annoyed by some inconsistency with what is properly Irish American, meaning that trying to toe the line of ensuring that one’s Irish American cultural practices are so highly regulated that they become harder than necessary to follow. I for one would love to try and introduce some elements of jazz into the jigs, reels, and airs that I’ve learned to play on the tin whistle, and if I do ever get around to joining in a specifically Irish dance again you can bet that I’ll let my arms move more freely than is expected.

I worry that a culture which isn’t performed as a daily routine will gradually become fossilized. Such a culture, if confined only to special events that aren’t expected or normal for the everyday, will surely die, leaving its participants poorer as a result. Perhaps one of the greatest differences between Greek American culture and Irish American culture is that our ethnic church, Roman Catholicism, did not preserve our Irish language as the language of liturgy and spirituality. Rather, Catholic priests continued to say the Mass in Latin until the 1960s, by which point so few Irish Americans still spoke Irish that there are hardly any Irish Masses performed here in the United States today. I’ve only ever been to one such Mass that was done entirely in Irish. It was said on a stage at the Dublin Irish Festival outside Columbus, Ohio where we the congregation watched on as if gazing at some exotic ceremony stuck out of place and out of time. That most essential element of any culture, the way in which it speaks and sings and laughs and cries, its language, is vital to that culture’s survival. And in a country where we make up a good portion of English-speaking Catholics, our Church has assimilated faster than our hopes for a distinct Irish American culture may have wanted.