Tag Archives: Doctoral Study

The Lotus-Eaters

The Lotus-Eaters – Wednesday Blog by Seán Thomas Kane

This week, comparing the benefits of pleasure with the rewards of good work.—Click here to support the Wednesday Blog: https://www.patreon.com/sthosdkane—Sources:Photo: © Juan Valentín CC BY-NC 4.0 https://www.inaturalist.org/photos/427040191. No modifications made. Available under public license. Image slightly cropped length-wise for podcast episode art.[1] André Thevet, Les Singularitez de la France Antarctique, (Antwerp, 1558), 4v ; Aristotle, Situations and Names of Winds 973b, 12–13.[2] Homer, Odyssey 9.106–110, trans. Robert Fagles, (Penguin, 1996), 214.[3] Homer, Odyssey 9.110–117, trans. Fagles, 214.[4] Aristotle, Nicomachean Ethics 1118a.[5] Aristotle, Nicomachean Ethics 1118a, 8.

Photo: Ziziphus lotus, © Juan Valentín CC BY-NC 4.0 https://www.inaturalist.org/photos/427040191. No modifications made. Available under public license.

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This week, comparing the benefits of pleasure with the rewards of good work.

A recurring challenge of my life is finding a good work-life balance. Perhaps central to this conundrum is the fact that I simply enjoy the work that I do, so I’m more willing to approach something work-related at all hours because it brings me joy. There are plenty of things that I need to do with my time, and plenty more that I know I will someday accomplish, yet I feel less pressed to push through any weariness or writer’s block to finish a given project today than I have in the past. For most things, I have a wide enough gap leading up to project deadlines that I can afford to work as I will on a given project. This is a luxury of the moment, which was foreign to me even a year ago, and I know well that the ample time I have now is a singular moment in my life that will likely not repeat often again. So, as long as I have the time to spend working on the Wednesday Blog and the handful of articles and book chapters that I’m writing, I’ll use that time to the best of my ability.

Each of us operates within the structures of our civilization, and within the cultural edifices built up over millennia that define our very identities. No one exists in true solitude everyone comes from somewhere. There are plenty of stories of loosening the burdens of life for the splendid abandon. Life is hard for all of us; one of the great unifying factors of the human experience is struggle. I doubt that either the richest or the poorest people alive today are fully happy and content in their present state. There are certainly things I would like to change about my life, things that I’m now approaching with the same resolve that I dedicate to my work and I see that among my family and friends too, such potent dedication to completing tasks difficult and easy alike that when all is said and done the doer can rest proud of their work.

Still, there is value to taking time to rest. I’ve developed a bad habit of sitting at my desk until I’m so tired that I can’t sit up straight, or even to the point that I find one eye closing so that I can keep reading with the other. These make for good stories but they’re bad habits overall. It seems to me like there’s so much to learn and not enough time to commit it all. We Americans are particularly bad at our work-life balance. While we have a strong work ethic in this country, we don’t give ourselves enough time to enjoy the fruits of our labor. I now work at some of the places where otherwise I would go to rest, places like the Kauffman Center for the Performing Arts where when I returned to Kansas City in December 2022, I was a frequent patron of the Kansas City Symphony’s performances until March 2023 when I signed on as a Team Captain of the Volunteer Usher Corps. Now, I work at the Kauffman Center and while I don’t get to relax and soak in the music there anymore, I’m proud of the work that I do and I work with people who I genuinely enjoy being around. In fact, working at the Kauffman Center has magnified the value of my historical research and writing even more. That’s what I love most in all the things that I do because it’s what I’m best at, and it’s through academia that I’ve met some of the people I most admire in all the world. The last two months then when I singularly devoted my attention to researching, writing, and editing a new and better introduction to my dissertation I poured all my effort and energy into the task and the work shows it. Yet I also drained myself of that same strength and realized that the working hours I kept four years ago when I was reading 12 hours a day in preparation for my comprehensive exams were no longer tenable. Life moves on, and with the changes in my life so too my stamina for these sorts of long hours have changed. I’m doing a lot more now than I was during the height of the pandemic in January, February, and March of 2021. Thus, it’s reasonable to say that I cannot do quite as much of the same things that I once did.

There are times when I can get so caught up in what it is I’m doing in the moment that I miss the world going by. I mourn a little bit how fast 2025 has been for me, there are things I wish I had done in the first half of this year that I failed to do for one reason or another. Often those reasons were out of my control. Yet they remain monuments to things that could have been. In other cases, though those things are goals which I turned away after finding better things to pursue. I’ve learned that I must remain open to change, flexible in my ways of living and doing things. How many times have I thought I was done with my dissertation only to be told that there was still more work to do? I know that endeavor defines my career and will continue to do so as long as I’m contributing to the scholarship of Renaissance natural history. Still, at times the idea of abandoning my efforts and falling into a state of rest has its appeal. At this moment, I would appreciate a vacation, even if only 24 hours away from my work. I took some time to enjoy the friendly company of my brother Hibernians and their families, and my Gaelgeoir friends this weekend at the Kansas City Irish Fest. It was lovely using that time to be with people whose company I enjoy, yet it was just as great a joy to return to my work this week and especially now that I’ve finished this round of work on my dissertation’s introduction to return to editing my translation of André Thevet’s 1557 book Les Singularitez de la France Antarctique. I had a delightful day spent reading through the Loeb Classical Library and the Perseus database hunting down Thevet’s Greek and Roman references on the geography, ethnography, and zoology of Sub-Saharan Africa.

The legacy of those ancient authors lies heavy on the European perception of their southern neighbors. The Greeks especially perceived Libya, their name for Africa, as the great desert landmass on the southern edge of their world. Thevet wrote that Libya was named by the Greeks for the southwestern wind, or Lips (Λίψ), a notion he got from Aristotle’s book the Situations and Names of Winds.[1] Thus, while Libya was the Greek name for Africa as a whole in antiquity, that the name was associated more with the southwest than the south suggests that their notion of Libya was west of Egypt and in the general vicinity today known as Libya. Further west along the Mediterranean coast of Africa lay an island where Homer records that Odysseus’s ship made a beachhead born by the north wind across what Robert Fagles translates as “the fish-infested sea.” On the tenth day “our squadron reached the land of the Lotus-eaters,” who Homer described as “people who eat the lotus, mellow fruit and flower.” Odysseus’s crewmen “snatched a meal by the swift ships” and found as “they mingled among the natives” that they “lost all desire” to do their duties 

“much less return

their only wish to linger there with the Lotus-eaters,

grazing on lotus, all memory of the journey home

dissolved forever.”[2]

The lotus-eaters of the Odyssey who live in bliss induced by the plant. Their worries carried far away they could bask in the glow of their sun and live out their days in a sense of peace. Yet Odysseus saw in this idyll a great distraction from what must be done, he and his crew needed to still return home to Ithaca. The king in his wisdom continued his story,

“But I brought them back, back

To the hollow ships, and streaming tears––I forced them,

Hauled them under the rowing benches, lashed them fast

And shouted out commands to my other, steady comrades:

‘Quick, no time to lose, embark in the racing ships!’––

So none could eat the lotus, forget the voyage home.”[3] (9.92-117)

The danger lay less in an immediate threat to life and limb but rather in a threat to mission, to vocation. Odysseus knew his charge was to shepherd as many of his men home as he could; what a tragedy it was that after all his efforts he returned home alone. The threat of the lotus-eaters lay in their carefree abandon of the need of self-preservation. Eventually, had the King of Ithaca and his men stayed on the island they would have faded in body and in spirit, dying not in war but by becoming stale and wasting away slowly until they had not even their memory to keep alive. Too much of a good thing becomes a bad thing, just as everything changes over the long dance of time.

Moderation then is the best way of living, to do things such that we humans not only survive but thrive in the conditions in which we find ourselves. Aristotle expresses this best in his Nicomachean Ethics that for every sort of action or feeling there is an excess and a deficiency and between them a mean which is the moral virtue. Thus, the lotus-eaters lived in a state of self-indulgent excess, born from their love of the lotus plant and the way it can make all their troubles disappear.[4] Aristotle argued that “temperance and profligacy are concerned with those pleasures which man shares with the lower animals, and which consequently appear slavish and bestial.”[5] It is human to have passions, desires, and urges to do one thing over another, yet it is an entirely different thing to give into those passions and abandon control over one’s own life. I think it is a greater sorrow to give up this control thoughtlessly than it is to have that control taken from you, even if the act of subjugation remains in the eye of the subduer and only as powerful as society wills it to be. This is something we too often forget: so many of the bad things that go on in our world are things of our own making. We choose to allow rampant gun violence in our country, or to let the institutions of our democracy crumble, or to let people go hungry, die from treatable diseases, and remain illiterate all because people in positions of power benefit from having others in need. I suspect that we don’t have to live like this. Perhaps the root of these societal woes comes from an understandable inability to understand death, that final act of life which often is so very unfair to the dying and those left behind. So long as the greatest inequity exists then why should we bother with trying to fix our own problems?Dear reader, I’ve been writing this Wednesday Blog now for four and a half years, and I’ve always said that my one rule for this publication is that I will end it once it’s no longer fun to write. Just before the pandemic during a family gathering, one of my uncles remarked that he had no interest in retiring soon because he loves the work he does. This struck me because it explains why I’ve stuck around in academia in spite of all the trouble I’ve been through in these past few years. I do this work because I love it; I write because I enjoy writing, and I’m writing to you today to suggest that we could make our world a better place to live for ourselves and our children and grandchildren who’ll come after us, we just have to leave the island and its lotuses and climb back into our boat and set out onto the fish-infested sea again. For all that I’ve learned about a great many topics, I still often need reminding to do basic things like stop reading or writing late at night and go to bed. I suspect that’s the case for most of us, that we get caught up in the worries or passions of the day and lose sight of the good things that we can do to really find true peace. Here in the United States the first big step that we ought to take is reconsider how we prioritize work to such a degree that it becomes life itself. We ought to work to live, not live to work. On this Labor Day week that’s as good a starting place as any.

[1] André Thevet, Les Singularitez de la France Antarctique, (Antwerp, 1558), 4v ; Aristotle, Situations and Names of Winds 973b, 12–13.

[2] Homer, Odyssey 9.106–110, trans. Robert Fagles, (Penguin, 1996), 214.

[3] Homer, Odyssey 9.110–117, trans. Fagles, 214.

[4] Aristotle, Nicomachean Ethics 1118a.

[5] Aristotle, Nicomachean Ethics 1118a, 8.

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The Versatility of Storytelling

The Versatility of Storytelling – Wednesday Blog by Seán Thomas Kane

This week, how the same tools can be used to weave a variety of different stories. — Click here to support the Wednesday Blog: https://www.patreon.com/sthosdkane
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This week, how the same tools can be used to weave a variety of different stories.

My favorite sorts of stories are the ones where I feel that I’ve gotten to know the characters and can relate to them on a personal level; that these characters are either real people who I’ll never meet or entirely fictional is beside the point. I often remember the stories I was reading, or watching, or listening to more than the experiences from my own life that surrounded new tellings of those stories. This potent relationship is heightened in moments when my own life is dull or foreboding, as in the height of the recent Pandemic when I passed the long days of isolation in my Binghamton apartment or at home in Kansas City watching and reading stories in the Star Trek franchise which I only really began to discover in February and March of 2020.

I wanted to be a storyteller from my youth. I read a book by the Irish journalist Frank Delaney called Ireland which followed a young man as he discovered his own passion for storytelling by listening to the seanchaí who often visited his family’s home. I began to write for myself around this time, though my efforts were focused more on poetry and plays at first. A decade ago, I built up the endurance to write a longer-form short story called “Abducted and Abandoned,” and around that time started writing what today is The Wednesday Blog. By the time I was working on my first master’s degree in 2015 and 2016 I’d begun writing a longer work, my book Travels in Time Across Europe, which I self-published in 2017. That one tells the stories I collected from my year living in London, stories of my own adventures traveling from the British capital to other cities across Europe. At the time I imagined that it could become a sort of valuable source for readers seeking to understand the world as it was in that last year before the Brexit referendum and the rise of Trumpism swept across Britain and the United States.

Dr. Olivia Stephens, the main character of “Ghosts in the Wind.”

Like the main character of Delaney’s Ireland, I too went to university to study history, to use my passion for storytelling, and as things came about, I’m now close to earning my doctorate in the field. Today, besides my efforts here with the blog I largely am just writing things related to my research. Alongside my dissertation I currently have one encyclopedia entry soon to be published, a book chapter and a scholarly article submitted for editing and am now writing another article related to my translation of André Thevet’s Singularitez. I still try to write the odd bits of fiction, like “Carruthers Smith’s Museum” which I released two weeks ago, or “Ghosts in the Wind” which I’m quite proud of. Yet I haven’t written anything to be acted in years. That’s striking to me, because my first big scribal efforts were for the stage and screen in my high school years. I do have an idea for a play that I might turn to someday in the next few years, yet even writing that here fills me with a sense of loss because it could well become another project that I’m excited about and have good ideas for yet don’t ever get to.

What I love most about writing for the stage and screen is that there’s a chance I’ll get to hear my words interpreted into lived experiences. Ideas that once only existed in my mind could be seen by many others played out before them and enlivened by the actors who utter those words & all the designers of sets, sound, lighting, props, effects, and music who flesh out that lived experience into something relatable and emotional in its truth. In short, to see my words brought to life in performance is to see a world created from what was once my thoughts, the smallest and most intimate of stages that I alone know.

To this end then, I am awed by the versatility of those storytellers who create these worlds in their performances. My erstwhile dissertation advisor Dr. Richard Mackenney, a man for whom I have the deepest respect and consider a friend, often talked about his own experiences on stage playing characters created by Shakespeare alongside many of the greats of the British theatre. In his lectures I saw a performance like any revival of King Lear or any of the Henrys or Richards that Shakespeare wrote. My own lecturing has taken on this same quality, yes at least in part in flattery, because I saw how he kept the rapt attention of most of the 150 or so students in the lecture hall with his art.

In recent weeks I had the pleasure to see the English actor Ralph Fiennes play two very different yet still akin parts in the films Conclave and The Return. In the former, Fiennes plays Cardinal Thomas Lawrence, the Dean of the College of Cardinals who is tasked with managing a papal conclave on the death of the Pope. In the latter, Fiennes returns to the screen a mere month after he appeared cassocked as an English cardinal this time dressed in rags as Odysseus returned to Ithaca after 20 years away at war against Troy. To see the same man inhabit two characters who on the surface could not be more distinct is a profound testament to the man’s mastery of his art. Both films are pieces of theatre imagined with the realism of a certain type of cinema that is more European than American, with less effects and a minimalist score that has its roots in the French New Wave. In the American context it’s reminiscent of the minimalism that we see in some of the television dramas produced recently for their streaming service by Apple.

I felt that I could instantly relate to Cardinal Lawrence in spite of his high office. The finest leaders I’ve met, whether cardinals and bishops or mayors, senators, and ambassadors are all people first and foremost. They acknowledge the trappings of their offices yet retain the everyman spirit that makes them relatable. I saw this in Cardinal Lawrence more than in many of the other characters who populate the halls of the Vatican in Conclave. That he is an English Catholic cardinal speaks to the post-Reformation moment in which we now live when the old sectarian wars of religion feel behind us and reflects on the Catholic Church in England and Wales that I know from my year living there and going to Mass in London. He speaks for a certain Anglophonic ideal that is democratic yet still upholding of tradition and custom.

Ralph Fiennes as Cardinal Thomas Lawrence and Odysseus, in performances which premiered within a month of each other.

Odysseus in contrast is a man who has seen much and endured much more than I ever hope to. His pain is written across his mostly silent face, and in this role, Fiennes says more with a tortured look than with words. That he only acknowledges his own identity verbally once in the film is telling. This is a man who fears that he won’t be the man that his family have waited for over these twenty long years that he was away. I can merely relate in that I’ve noticed time and again how my home and my city change each time that I’m away. On this most recent return of my own from Mérida on 10 November I was startled in the weeks that followed to see that the last vestiges of the long summer we had in this region at last faded away into a brief Fall before receding into the winter cold far sooner than I expected. Even more dramatic was the city I found on my return from London at the end of August in 2016. Kansas City wasn’t the same place it had been even 8 months before when I flew home for Christmas. There were plenty of stories I’d missed while I was away, one relative who’d been born and who I met for the first time at a far later date than any of her cousins in the youngest generation of my family. In that loss that comes with being far from home I can relate, yet in the pain he suffered and inflicted while he was away at war, I am thankful to lack that experience.

Yet the brilliant versatility of storytelling here expresses itself in Fiennes’s ability to say so much with so little about the war he fought and the trials he faced on his homeward voyage. Odysseus suffered for his efforts, and in his suffering, I see his humanity & feel that I can relate to him. At the end of the film, I felt that I got to know Odysseus for the man he’d become, and that in spite of the Bronze Age setting and the far looser garments, in a film whose costumes are marked by a combination of loincloth & cloak, than anything I would wear, I felt that I could see myself, my own humanity in that moment in time on the island of Ithaca in the second millennium BCE, perhaps the 12th century BCE as the polymath Eratosthenes of Cyrene (276–194 BCE) dated the fall of Troy to 1183 BCE.Where both Conclave and The Return succeed is in placing the lives of their characters in moments and settings which feel real. Odysseus’s Ithaca feels as lived in as Cardinal Lawrence’s Vatican, yet the former seems to be set in a far brighter and younger world with different morals and values than the darker and starker built world which succeeded it in the monumental edifices of the Vatican. Yet both are in my imagination places which I now have visited & seen, and both are places that I would recognize again if I ever returned to them in my memory of those films, or should I ever venture there in my own life to the Vatican or to the Ionian Islands and Peloponnese where the filmmakers created their vision of Ithaca. That stage is as lived in as any seemingly sparser platform that Shakespeare’s Muse might have evoked in Henry V; it is as alive as any other that can be imagined in our art.

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Doctoral Study

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I was 27 when I arrived here in Binghamton at the start of August 2019. I made a big move out here, with immense help from my parents, and set up shop in a good-sized one bedroom apartment that’s remained my sanctuary in this part of the country ever since. I’d wanted to continue my education up to the PhD since my high school days, and it’s a plan I’ve stuck with through thick and thin. After a false start in my first attempt to apply to PhD programs in 2016, which led to two wonderful years working on a second master’s in History at the University of Missouri-Kansas City (UMKC), I applied again, now far better positioned for a PhD program and ended up here through the good graces and friendly insight of several people to whom I’m quite grateful.

Arriving in Binghamton though I found the place very cold and quite lonely. In recent months I’ve begun to think more and more about getting rid of some of my social media accounts only to then remember that Facebook, Instagram, and Twitter were some of my greatest lines of communication with friends and family back home in Kansas City and elsewhere around the globe throughout these last three years. That first semester was tough, very tough, and while the second semester seemed to get off to a good start it was marked by the sudden arrival of the Coronavirus Pandemic and the end of my expectations for these years in Binghamton. 

I spent about half of 2020 and 2021 at home in Kansas City, surrounded by family and finding more and more things to love about my adopted hometown with each passing day. When I was in Binghamton it was to work, in Fall 2020 to complete my coursework and in Spring 2021 to prepare for my Comprehensive Exam and Dissertation Prospectus defense. I still did a good deal of the prospectus work at home rather than here, though the memories of those snowy early months of 2021 reading for the comps here at this desk where I am now always come to mind when I’m in this room.

As the Pandemic began to lessen in Fall 2021 and into the start of this year, I found myself in Binghamton at a more regular pace. There was something nice about that, sure I wanted to be home with my family, but I also felt like I was getting a part of the college experience of going away for a few years to study that was reminiscent of the year I spent working on my first MA at the University of Westminster in London. I started to venture further afield in the Northeast again, traveling to Boston, New York, Philadelphia, Baltimore, and Washington again. When I first decided to come here one of the things, I decided was I’d take the opportunity of being in the Northeast to see as much of this region as possible.

2022 saw another transition, I wasn’t in one of the newer cohorts in my department anymore. Now, in Fall 2022 I’m one of the senior graduate students. It’s a weird thing to consider, seeing as it felt like 2020 and 2021 evaded the usual social life of the history graduate students here, thanks to the ongoing pandemic. I also began to look more seriously at my future, applying for jobs in cities across this country, and even looking again at some professorships, something I doubted for a while would be an option for me. If there’s anything about life that I’ve learned over the past three years spent here, it’s that you always need to have things beyond your work to look forward to. Whether that be a long walk in the woods on the weekends or a day trip to somewhere nearby, or even the latest episode of your favorite show in the evenings. Doing this job without having a life beyond it is draining. 

For me the best times here in Binghamton were in Fall 2021 and Spring 2022 when I truly began to feel like I had a place here that I’d made my own. I was confident in my work, happy with how my TA duties were going, and really enjoying my free time as I began to spend my Friday evenings up at the Kopernik Observatory and Sundays at the Newman House, the Catholic chapel just off campus. I was constantly reading for fun as well, something I’d lost in 2020, even falling behind with the monthly issues of my favorite magazines National Geographic and Smithsonian. There were many weeknights I’d spend out having dinner alone reading natural history, science fiction, anthropology, and astronomy books. 

It’s interesting looking back on myself from six years ago when I was in London, the months that summer when I decided I wanted to get back into history after a year studying political science. My motivations were to earn a job working at one of the great museums I’d spent countless hours in during that year in the British capital. While I studied for my MA in International Relations and Democratic Politics, I was still spending my free time looking at Greek and Roman statuary and wandering the halls of Hampton Court or watching the hours of history documentaries on BBC 4 in the evenings. And now that I’m back in History as much as I do appreciate and love what I do, I find my free time taken up by science documentaries and books.

It’s important if you do want to get your PhD in the humanities and social sciences to figure out why it is you want to do this before you start. Have a plan in mind, have a big research question in mind, and focus your attentions onto that question. My own story has many twists and turns from an interest in my early 20s in democratic politics to a brief dalliance with late republican Roman history before settling into the world of English Catholics during the Reformation. I ended up where I am today because of another series of events that led me to moving from the English Reformation to the French Reformation, and from studying education to natural history. So, here I am, a historian of the development of the natural history of Brazil between 1550 and 1590, specifically focusing on three-toed sloths. In a way there are echoes of all the work I’ve done to date in what I’m doing now, thus as particular as this topic is it makes sense in the course of my life as a scholar.

A month from now will be my 30th birthday, a weird thing to write let alone say aloud. My twenties have been a time of exploration of both the world around me and of myself. When I look at my photo on my Binghamton ID card, the best way to describe my appearance would be grumpy yet optimistic. Just as I was a decade ago, a sophomore in college, so now I am today, looking ahead to the next decade with excited anticipation of what it’ll bring, and hopeful that all the work I’ve done in this decade will find its reward in the next.

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Me upon arrival in Binghamton, August 2019.