Tag Archives: New Deal

A photograph of the Missouri State Capitol building taken by the author in January 2017.

On Democracy, Part II

This week, on the current round of redistricting sweeping through Missouri.—Click here to support the Wednesday Blog: https://www.patreon.com/sthosdkane—Sources%5B1%5D “On Democracy,” Wednesday Blog 5.39.[2] “We, Irish Americans,” Wednesday Blog 6.10.[3] “On Servant Leadership,” Wednesday Blog 6.15.[4] “Freedom from Fear,” Wednesday Blog 2.6; “Embodied Patriotism,” Wednesday Blog 6.26.[5] “Governor Kehoe announces special session on congressional redistricting and initiative petition reform,” Office of the Governor of the State of Missouri, 29 August 2025.[6] “A Scary Time For Chicago | Trump Gets FOMO Over China's Military Parade | Donald's Life Lessons,” The Late Show with Stephen Colbert (3 September 2025), YouTube.[7] “A Defense of Humanism in a Time of War,” Wednesday Blog 6.24.


This week, on the current round of redistricting sweeping through Missouri.


When I wrote my essay “On Democracy” last December, I anticipated that it would be the only thing I wrote concerning the most recent Presidential election.[1] I wanted to say more, in fact I went back and forth on saying something stronger and more forceful, yet what I ended up with turned out to be just right for the moment. It remains one of the essays I’m most proud of from the Wednesday Blog. The first half of 2025 was marked by a series of essays which followed up on “On Democracy” and commented on the growing number of political crises blowing across this country and here in Missouri and Kansas especially.[2] I even found that the usual low readership numbers on my political essays was mitigated somewhat with these essays; I attribute that in part to my choice to stay positive and focus on the extraordinary acts of ordinary people that have proven essential to the course of American democracy in the last 250 years and remain vital to the continued survival of our Republic today.[3]

All that said, and as much as I am a political animal, I would much rather write about my research and about my English translation of André Thevet’s 1557 book Les Singularitez de la France Antarctique which I’m currently editing. Those are the things which make me happy today because when I’m engaged in my historical work, I feel connected to my friends and colleagues who I’ve met in academia over the years. I want to be known a historian first and a writer second. I’m learning things everyday about Thevet and his worldview that I only barely noticed when I was deep in the effort of translating his book in the first place.

Yet current affairs in Jefferson City are pressing enough that I feel it is my duty to speak up. I know there are very real risks to publishing, saying, or writing anything political today. I’m in a precarious place now as a Ph.D. candidate approaching my dissertation defense and looking at a job market that feels smaller and more threatened than it did a year ago. I know that saying anything political could make me a harder sell for many hiring committees to accept. I take this risk because it is the right thing to do.

Today, 10 September, the Missouri Senate is set to vote on a new congressional map drawn by an uncertain cartographer, possibly in Jefferson City, possibly in Washington, with the intention of ensuring that the Republican Party secures a clear electoral victory in the 2026 congressional midterm elections in spite of learned expectations that the president’s party always loses seats in the midterms after they assume office, and the living reality of our moment in which the majority party is acting to preserve its own power and the wealth of a few at the expense in the political rights of everyone else. I’ve written time and again here that my America in its purest form is embodied in the New Deal and Great Society, and in FDR’s Four Freedoms speech.[4] Sure, we haven’t gotten there yet, all that means is we should keep working for it. America is a shining beacon of democracy for all the world to see, even if that beacon’s shadow often also shows our flaws played out before it like hand-puppets on a screen. Democracy requires participation; it’s the greatest form of government we’ve yet invented because it requires the most of the governed to understand how government works and to participate in their own government for the common good.

This new congressional map is not democratic. In fact, it is the anthesis of democracy. In his statement announcing the Republican supermajority’s push to force this map through the Missouri General Assembly, Governor Mike Kehoe openly stated that this map is intended to protect “Missouri’s conservative, common-sense values should be truly represented at all levels of government, and the Missouri First Map delivers just that.”[5] This was expected, yet still bold by a sitting governor to be so openly one-sided. On Thursday, 4 September, the window to submit written testimony on the redistricting bill opened on the Missouri House of Representatives’ website. I sent in the following statement:

In his statement announcing this new mid-decadal redistricting effort, Governor Kehoe explicitly said this was to preserve “conservative values.” With that out in the open, I want it to be known that if this map is intended to support conservative party politics in Missouri, then it impedes on the rights of all of us moderate, liberal, and progressive Missourians. It is a blatant abuse of power that targets us Kansas Citians in particular. I want to see Missouri create a nonpartisan independent board which draws the electoral maps, so they are fair for all Missourians. I ask the committee to reject this redistricting map for its blatant partisanship and the fact that this redistricting process is costing the taxpayers’ money that could and should be spent elsewhere.

This is the sum of it. I do not think it is hyperbole to say that my own political rights are under threat by this bill. Rather, what was once extreme is today expected because any rules we had for electoral fairness have been thrown out the window. It’s true that both parties gerrymander their congressional maps, but the Republicans do it far more. It’s also true that the Democrats are gerrymandering congressional maps in the states that my party controls. I want independent redistricting maps in all 50 states, the District of Columbia, Puerto Rico, and every territory. That should be our goal. Yet in this moment we need to fight for democracy to save it. This is a struggle here in the United States, yet it is being felt around the globe. Who else is as influential in world geopolitics today who could take up the mantle of democracy if we discard it? What keeps striking me about what the Republicans are doing is that it is all for short-term goals that masquerade as solutions to the country’s problems. What I and many like me want are long term solutions that will actually resolve many of those problems.

With this new congressional map, I and every other moderate, liberal, and progressive on the Missouri side of Greater Kansas City will lose all federal representation. We currently are represented in Congress solely by Congressman Emmanuel Cleaver II, who has served this city for many decades. I regularly send emails to our senators, Josh Hawley and Eric Schmitt about a variety of issues that I care about from restoring funding to the National Endowments for the Arts and Humanities (NEA, NEH) and the National Science Foundation (NSF), to my fears of presidential overreach with so many executive orders which seek policy changes that by law can only be made through acts of Congress. In every instance, the response I receive has nothing to do with what I wrote. In the case of an email I sent to Senator Hawley concerning my fears over my profession’s long-term viability in this country as federal funding to universities and research institutions is threatened for political reasons, I received an email back lauding the Big Beautiful Bill and all the good it will do for America. A screenshot of that email is included below.

Meanwhile, Senator Schmitt’s office only responds with campaign emails pretending to be official senatorial correspondence. This ought to be illegal in my opinion, and a version of the Hatch Act of 1939 should be passed for the Legislative Branch to keep Members of Congress from using their official correspondence to actively campaign for their offices. I have a folder filled with all of the emails I’ve received from his office since April 2024 and normally they will go directly into that folder. Yet there was one email his office sent me in response to my concerns over cutting funding to the Corporation for Public Broadcasting which was such a blatant example of his dismissive approach to his constituents who disagree with his views that I became pretty angry. 

So, I called his Washington office, realizing as the phone was ringing that it was after business hours in the East, and left a voicemail. In summation, I challenged him to actually address his constituents’ concerns. I borrowed what I imagine is the lingo of the manosphere, a foreign corner of the Internet to me and challenged him “man to man to stop being a coward and do his job for all Missourians, not just those in his own party.” I haven’t gotten a response to that one, whether by email, phone, or letter. This is not how I like to talk to people, let alone write to them. I would rather find ways to speak to people in their own language to lift them up. I’m my worst when I lose that sense that I can say or do something that will make the lives of the people around me better.

It’s in this spirit that I decided to write again this week about democracy. Any form of representative government requires that we trust in each other for it to function. This is one of the central tactics of the current majority party. The President recently called the city of my birth a “hellhole,” something that I take personal offence to. I appreciated Stephen Colbert’s response, especially the heartfelt final two words of it.[6] In my essay “A Defense of Humanism in a Time of War” I wrote that I don’t want to be known as a pacifist because there will always be schoolyard bullies to contend with.[7] The people in power today here in Missouri and the slim governing majority in Washington are the biggest bullies this country has seen in a long time. They evoke the worst aspects of America, the greed that embodied both the First Gilded Age and the garishness of this Second Gilded Age in which we live. Not content with letting the democratic process that brought them into office work as it has for over two centuries, they insist on doing what they’ve accused their opponents of doing: rigging the electoral process in their favor. They clearly do not trust us, so why should we trust them?

Democracy is nourished by a love of neighbor. American democracy in particular is built upon a bedrock of idealism that we are still trying to achieve. That is what we need to work on. Robert Reich, the former Secretary of Labor, argues that we are on the verge of a second Progressive Era, a time of tremendous political reform. We who oppose the Missouri supermajority and the thin ruling majority in Washington need to remember that end goal. We need to sustain the democratic spirit through this time of trouble so that we can have a better tomorrow. I’m writing this knowing the risks because I feel it’s my duty as an American. I will always stand up for my neighbor regardless of if we agree or disagree on a given topic just as I will stand up for my colleagues, students, friends, and family because it’s the right thing to do.


[1] “On Democracy,” Wednesday Blog 5.39.

[2] “We, Irish Americans,” Wednesday Blog 6.10.

[3] “On Servant Leadership,” Wednesday Blog 6.15.

[4] “Freedom from Fear,” Wednesday Blog 2.6; “Embodied Patriotism,” Wednesday Blog 6.26.

[5] “Governor Kehoe announces special session on congressional redistricting and initiative petition reform,” Office of the Governor of the State of Missouri, 29 August 2025.

[6] “A Scary Time For Chicago | Trump Gets FOMO Over China’s Military Parade | Donald’s Life Lessons,” The Late Show with Stephen Colbert (3 September 2025), YouTube.

[7] “A Defense of Humanism in a Time of War,” Wednesday Blog 6.24.


A photo from the upper deck at Kauffman Stadium looking down toward the baseball field during a Kansas City Royals game in July 2025.

Embodied Patriotism

This week, on the patriotism we live in our ordinary lives.—Click here to support the Wednesday Blog: https://www.patreon.com/sthosdkane


This week, on the patriotism we live in our ordinary lives.


This Monday, after a long day working on my dissertation I went with my parents to Kauffman Stadium to see the Kansas City Royals play the first game in this week’s series against the Pittsburgh Pirates. Of the many things that I think of when I see the Pirates, memories of the weekend I spent in Pittsburgh in January 2020, or memories of watching them with my grandmother play the Cubs on WGN in my youth, I have a slight soft spot for the Pirates as a fellow legacy nineteenth-century team (1887) in the National League Central alongside my Cubs (1876), the Reds (1890), and the Cardinals (1892). The great Irish American artist Gene Kelly often said that he took up dancing to meet girls and to be agile and athletic so he could play outfield for the Pirates, his hometown team.

On this particular Monday, once we finished our walk into the stadium, bought our dinners and bottles of water, we made our way up to the top level of the stadium, the View Level to watch the game. I broke off from the rest of my family for a few minutes when we made it up to the 400s level to buy myself a brat. I didn’t realize though that the pregame ceremonies were reaching their conclusion with the march of the color guard and the performance of the national anthem. I consider myself patriotic in my own way; I hope you’ve seen in the last six months on this blog that I strive to elevate my fellow countrymen, my fellow humans in fact, through evocations of all the tremendous things we are capable of doing, of the extraordinary acts of ordinary people.[1] So, as the singer began her tune, I looked around at the people around me to see what I should do. At that moment I was at the register paying for my brat (everything is self-checkout now), yet as I saw no one else at the registers beside me were stopping to make our salute it occurred to me that nothing could be more American, dare I say more patriotic, than engaging in commerce with overpriced foods and drink that’s probably not good for any of us. I quickly finished my purchase and stepped back from the register and took a place beside a group of fellow millennials who held their right hands over their hearts, as we’re taught to do.

Throughout the game, a strong showing by the Royals who hit in 9 runs over the Pirates 3, I thought about this brat purchase during the national anthem and felt resolute in my decision. There are people who I know who take the anthem very seriously to the point of zealotry. In my many years of attending baseball games and soccer matches I’ve often wondered what would happen if someone chose to keep their hands at their sides or even remain seated during the anthem? We saw the harsh reaction of the clamorous cacophony when Colin Kaepernick kneeled during the anthem a decade ago. At the time I was ambivalent yet now having heard more stories of oppression and promises unkept I appreciate what he did. I believe this question of how free we are to patriotically express discontent in civic rituals is essential to the vitality of a democracy. I’ve often found the crafted rituals which the Royals put between innings to be at times bordering the ludicrous. This is especially true in 2025 after the Royals ruined their relationship with so many of us Kansas Citians with how they misled us and took advantage of us in this year’s stadium sales tax vote. My distrust of the team is why I effectively retired the Royals cap that I bought only two years ago at another visit to Kauffman Stadium.

We embody our rituals by wearing American flags on our clothes and demanding unquestioning patriotism in this American life. Here I’m adopting Céline Carayon’s notion of embodied language in her 2019 book Eloquence Embodied about early colonial French communications and relations with Indigenous Americans through gestures and visual language.[2] Today in the United States our patriotism is just as often meant to be blood-red flowing within our bodies as it is worn on our chests and loudly proclaimed with often poorly sung renditions of the national anthem, a hymn requiring professional training to perform. It is meant to be shouted in unquestioning proclamations of American freedom even as that liberty seems ever more fleeting under the combined weight of a cruel-minded governing majority and an even crueler corporate elite that has created so much of the embodied rituals which define American culture in the 21st century. These rituals, always sponsored by some robber baron and crafted by their public relations department, sing proudly of American freedom all while ensuring their own profits at the expense of the American people’s own freedom from want and fear. We embody our patriotism in what we purchase and where. Earlier that day, looking for a late afternoon pastry, I ended up at my local Whole Foods. Their bakery is good; the chocolate croissants are about what you’d expect for a gargantuan corporation’s attempt at mimicry of a Parisian classic. Yet as I bought a slice of pizza that caught my eye thinking how I might stop here for pizza by the slice more often I felt a pang of guilt after all there’s a good local pizzeria, Pizza 51, just across the street and several more within walking distance. Even as bakeries go as fair as Whole Foods is during the morning rush I would much rather go to McLain’s, the Roasterie, or Heirloom, all local bakeries within walking distance of my family home and along the route I was driving yesterday afternoon. Yet where Whole Foods won was that they forego the usual bakery hours and keep baking pastries in the afternoons whereas the others are usually low on their morning batches or already closed for the day. I’ve known for most of my life that these big corporate chains put tremendous stress on small local businesses; in fact I’ve flatly refused to shop at Walmart for this very reason, only buying a couple of bottles of water at one in the Kansas City suburbs once in 2020 when my Dad’s old truck broke down outside of it during the evening rush hour under a hot summer sun.

The America that I love seems more and more fraught the further from walkable neighborhoods and into the suburbs and exurbs you go. This is where most Americans have built their lives in common isolation living in mansions of rest surrounded by moats of artificially green grass regardless of how dry the local climate may be. It’s a life spent driving individually in vehicles increasingly resembling The Princess Bride’s rodents of unusual size in their environmental dangers. Several months ago, I had a bad argument with an attendant at a car wash in a nearby suburb because I ended up in the members’ lane on accident. I told the teenager working there that I made the mistake because there wasn’t a sign that I could see in my Mazda where the two lanes split (the big overhead sign is blocked by a dumpster from my lower line of sight) while the guy kept telling me that I can’t pay in the lane I was in. I was angry because the way that place was built favored the minivans, SUVs, and trucks that most people drive at the expense of those of us who still drive sedans. Yet I lost my temper because when the management got involved in our deteriorating conversation they shrugged off my suggestion that the row of ground-level signs standing outside their toll booth ought to be placed where the lanes split saying “that’s something for corporate to decide.” This is where that America of neighbors seems to be at least dormant to me; rather than making decisions that will benefit all of us together we instead more often choose inaction rather than risk our own individually precarious position. I grew up admiring the likes of Daniel Burnham and was proud as a young kid to say I was from Carl Sandburg’s City of Big Shoulders with big ideas and big ambitions. I’m just as proud to have witnessed firsthand the renaissance that Kansas City has experienced since the millennium. Those sorts of dreams and ambitions are what make me proud to embody our shared patriotism when I feel we’ve warranted it. I prefer the embodied patriotism my parents and grandparents taught me which as I’ve gotten older, I’ve found grew out of the progressive and city beautiful movements of a century ago and felt their greatest expression during FDR’s New Deal in the 1930s. That is my America, the America of neighbors standing up for each other. I see that America every day in my neighborhood where people say hello to each other when walking down the sidewalks or on the Trolley Trail. It’s for that America that I feel pride is warranted, that America which we should be working to rebuild by reconnecting our car-dependent suburbs and neighborhoods, by forcing us to spend time with each other again, to be social again.


[1] That’s one of my favorite lines I’ve ever written.

[2] Céline Carayon, Eloquence Embodied: Nonverbal Communication among French and Indigenous Peoples in the Americas(University of North Carolina Press, 2019).


The Power of Hope

This past weekend, history was made when President Biden dropped out of the 2024 presidential race. The next 48 hours inspired tremendous hope again. — Click here to support the Wednesday Blog: https://www.patreon.com/sthosdkane


This past weekend, history was made when President Biden dropped out of the 2024 presidential race. The next 48 hours inspired tremendous hope again.


During my senior year at Rockhurst, now a decade ago, the BBC released the first of two seasons of a new series of Shakespearean adaptations called The Hollow Crown. These films were realist adaptations of the Henriad plays Richard II, Henry IV Parts I and II, and Henry V. This first season seized my attention and enthusiasm with a tremendous rush of emotion and energy. I wrote my undergraduate capstone in History on Richard II partially because of how these films brought these medieval kings to life for me. Shakespeare’s plays have tremendous power because they speak to common human emotions and experiences, it’s why they’ve been adapted by Akira Kurosawa from their original settings to feudal Japan, and why contemporary adaptations of these plays can work even if they can also leave something to be desired. 

Yet the greatest power that Shakespeare’s plays have is in their quotability. William Shakespeare was one of the greatest writers to use the English language to tell his stories, and to breathe life into his characters and settings that the most fantastical magic of The Tempest can seem just as believable as Richard II’s grief at losing his crown. For me, one of the most readily quotable lines in Richard II comes not from the deposed king but from his uncle John of Gaunt, Duke of Lancaster, who in a speech which Jeremy Irons described as one coming from a medieval Brexiteer, offered the truism “small showers last long, but sudden storms are short.” (2.1). I think of this often in many different situations. Our politics of these last 8 years have been somewhere in the middle, an 8 year on-going rain that may seem tempestuous throughout but that has merely brought together several of these sudden storms in quick succession.

For most of my life I’ve heard the argument that ordinary people like us cannot do much to change our politics, and that we are better off leaving politics to the politicians who are going to do whatever they want anyway. I’ve grown up surrounded by this apathy, yet my parents instilled in me from my earliest memories a duty to vote, to speak up, and to play my part as a citizen. I’ve been frustrated in the last year in particular hearing so many people express a distaste in our electoral system because the two candidates running for President this year were men who seemed so out of touch and disconnected from the rest of us that we felt little need to participate. For myself, by the time the Missouri Primary came around for my party, our candidate had already secured enough delegates to claim victory in the primaries, and so this was one rare election when I didn’t vote.

All of that changed on Sunday at 12:46 Central Time when our sitting President, my party’s candidate, Mr. Biden announced he would no longer seek reelection to the Presidency this November. I was out at lunch with my parents when I got the news, and my first reaction was akin to many: fear at what would come next. I was on the fence whether President Biden should drop out of the race, unsure of what the result might be; and today writing this 48 hours later I’m still afraid of what could happen.

Yet my fears have been assuaged somewhat at the sight of how much the tone of this election has changed in my party. Where so many were going to vote for the President in order to keep his opponent out of power, in the last 48 hours our new candidate, Vice President Harris, has received more than 28,000 offers from ordinary people to volunteer for the Harris campaign. In the last 48 hours the Harris campaign and the Democratic Party have raised about $250 million in donations and pledges; of those donations more than 888,000 were from ordinary people wanting to pitch in. The tone has changed, where before last month’s debate we hoped that President Biden could lead the campaign to eke out enough moderate and undecided voters to support the Democratic side and defeat his opponent, now we have a campaign that is built less on fear of the opposition and more on the hope of what our new candidate has promised to do and could do if elected President.

Hope is far stronger than fear because it offers us a chance to aspire to something greater than ourselves. The most successful President of the twentieth-century, Franklin Delano Roosevelt, ran on a platform of hope and reform that would pull the country out of the Great Depression, and in his later campaigns defend liberal democracy from the growing tides of authoritarianism around the globe. All Democratic Presidents since Roosevelt have been judged on what FDR accomplished, and few have risen close to his level. The two that initially come to mind are Lyndon Banes Johnson, who served as President from President Kennedy’s assassination in November 1963 until January 1969, and our now outgoing President Biden. In spite of a staunch and illiberal opposition built around the premise that any and all legislation proposed by the Democrats must be blocked at all costs, even at the expense of the country, the Biden-Harris Administration has passed several landmark pieces of legislation which have been notable in the good they’ve done while being overshadowed by claims to the opposite from the clamoring gallery in the opposition.

Most of the Biden-Harris Administration’s major legislation occurred when the Democrats had a majority in both houses of Congress through the end of 2022. These included in 2021: 

  • The American Rescue Plan Act, which injected $1.9 trillion into the economy to help ordinary people during the hard times of the recent pandemic.
  • The Bipartisan Infrastructure Investment and Jobs Act, which is funding infrastructure improvements and new projects across the country. 

In 2022, Biden signed: 

  • The Inflation Reduction Act, which included elements of his failed Build Back Better Act offering significant investment in climate and energy production and a three-year extension to the Affordable Care Act.
  • The Bipartisan Safer Communities Act which is the first major federal gun control law passed in the last three decades.
  • The CHIPS and Science Act which bolstered American semiconductor manufacturing.
  • The Honoring our PACT Act, which expanded health care for US veterans.
  • The Electoral Count Reform and Presidential Transition Improvement Act which adds procedures to the Electoral Count Act of 1887 to avoid a repeat of the stalling measures to keep President Biden’s election from being certified during the January 6th attack on the Capitol.
  • The Respect for Marriage Act which codified same-sex and interracial marriage.

And finally, in 2023, Biden signed:

  • The Fiscal Responsibility Act which restrained federal spending during fiscal years 2024 and 2025, and suspended the debt ceiling until the beginning of 2025.
  • In September 2023, he established the American Climate Corps, in a Rooseveltian manner to help facilitate the national response to the climate crisis.

What is striking about Biden’s presidency is both how much he accomplished in four years, and how little most people seem to know about it. He could not fully live up to FDR’s legacy because he lacked the majorities in Congress throughout his term that would have allowed him to continue to pass legislation. In the last month, it’s become clear that what new policies his Administration announces will be intended less as viable things to be accomplished in what remains of his term, but rather as signs of hope of what his party would do if they retain the Presidency and win back a majority in the House of Representatives.

That hope now has a face and a name in the Democratic presumptive nominee for President, Kamala Harris. The Democrats would do well to recognize that the power of hope for the things she and her Administration and the congressional party can accomplish together are far more powerful than all the fears we have of what would happen should the opposition regain the Presidency and retain its majority in the House. Hope is stronger than fear because it builds on the idea that there’s something better to be had than what we now have. I believe that hope is what will unite us together in the Democratic big tent this year to win this election. The circumstances aren’t great, President Biden’s withdrawal was far later in the race than I would have liked, and in the coming weeks I want to write here about the flaws in our electoral systems that his withdrawal lays bare.

This week though, let me leave you with what I believe to be true: the Harris campaign is in a strong place with its grassroots enthusiasm, fundraising, and organizing, and has the legislative accomplishments of the Biden-Harris Administration as a strong foundation for a successful, if unexpected, campaign. It’s up to all of us to hope that she can provide better promises than her opponents, and to act on that hope and vote in November.


The Art of Joy

This past weekend, the Nelson-Atkins Museum of Art debuted a new retrospective exhibit on the life and work of Franco-American artist Niki de Saint Phalle. One of her great initiatives was to express rebellious joy in her art, especially later in her career. — Click here to support the Wednesday Blog: https://www.patreon.com/sthosdkane


This past weekend, the Nelson-Atkins Museum of Art debuted a new retrospective exhibit on the life and work of Franco-American artist Niki de Saint Phalle. One of her great initiatives was to express rebellious joy in her art, especially later in her career.


I wasn’t familiar with the name Niki de Saint Phalle (1930-2002) before the Nelson-Atkins Museum of Art announced they would be hosting the first American retrospective exhibition of her work, yet having seen aspects of it, particularly her Nanas, I find that I do remember seeing these around here and there. The exhibit begins with her early work, highlighting her tirs paintings (1961–63) which involved her shooting paint-filled collages of popular material objects each with their own cultural meanings, until they bled their paint out. I found these hard to appreciate, the violence at the core of these pieces and the claustrophobic nature of their assemblages filled me with a sense of dread.

Yet, it was the latter two thirds of the Saint Phalle exhibit which I returned to, the section radiating and erupting in light and color in a manner that felt welcoming and brilliant as though it were made to bathe in the warm rays of the Sun. These portions of the gallery were filled with her Nanas (1964–73) and other works in the same style. Saint Phalle created her Nanas as an evocation of the power of women, often drawing from ancient fertility figurines like the Venus of Willendorf, today housed at the Museum of Natural History in Vienna. Even the serpentine figures which I would normally be wary of felt warm and cheering.

So, what then is it about Saint Phalle’s work and this dramatic change between her early creations in the 1960s and 1970s to her later works in the 1980s, 1990s, and early 2000s that the latter ones feel so different? In my two visits thus far I’ve gotten a sense that early on she was fighting back against oppressive forces and that her resolve was to take hold of the ancient model of fighting violence with violence, while later once she felt liberated from these old shadows, as much as she could’ve been, she began to create in a spirit of wonderous joy.

I’ve had a hard time with joy lately, and I’m usually the eternal optimist. In many respects, I feel my emotions have had a softening in the last year and a half out of fatigue more than anything else. After I finished my teaching job in the Fall, I could not feel much for a good two weeks; I was so tired that Christmas came and went with only a passing acknowledgement from me. I gave every last drop of my enthusiasm and optimism in that job, knowing that I would have to do no less if I wanted to do that job justice. Joy then, the emotion that I felt even in the darkest and most terrifying days of the pandemic as I dreamed of better tomorrows, is something distant from me even now.

Yet I prefer to be optimistic, to live joyfully, rather than to be consumed by the trends of pessimism and destruction that are well in vogue now. There are horrific things happening in our world every single day, and I applaud those who are fighting to stop those horrors from spreading. The great fight of our time is one to defend democracy in a year when it is very well and truly under threat. It might seem naïve to some, yet I feel it is my vocation to try to keep a positive outlook and remind the people around me of all the good things we’re fighting for. What good is war if we give up any hope of finding peace again? Like Saint Phalle, I see joy in color and light. Where years ago, I would want to keep the shutters closed on my windows today I love having the sunlight dance between their opened gates and radiate an exuberance that reminds me of St. Francis wandering the fields around Assisi 800 years ago. There are great horrors in our world, and we need heroes who will face them and restore them to their box, yet we also need people to remind us of the good times so that we have a reason to envelop that darkness in light.

In the arts, the greatest periods in recent American history of optimism and joy are the New Deal and the Great Society, two moments when the political will to make life better for all Americans translated into an artistic awakening which sings the spirit of the times. The New Deal policies of President Franklin Delano Roosevelt responded to a time of great pessimism and trouble for America and the globe, when at the heart of the Great Depression he and his brain trust found ways to invigorate society through economic and financial reforms as well as new funds for the arts that had not been known at any time before. Here in Kansas City, we look to the paintings of our local artist Thomas Hart Benton (1889–1975) to evoke the regionalist style of the day, or nationally to the works of Georgia O’Keefe, Edward Hopper, and Grant Wood. I often associate O’Keefe’s art with the bright colors and lights of the desert Southwest, a region that was conquered by the United States from Mexico in 1848 yet not fully realized into our national mentality until after World War II.

For me, the great voice of this optimism is Aaron Copland, whose music evokes the same regional influences of the painters just mentioned. A long standing question in American classical music is how best do we define our national voice? I say we here because the compositions created in this country live or die by the audience’s appreciation. I found it fitting then when I read that the Kansas City Symphony’s first European tour, happening this August, will include performances of Copland’s Third Symphony in Berlin and Hamburg alongside performances of the works of three other great American composers: Bernstein, Gershwin, and Ives. In Copland’s music there’s a sense of the enduring youth of this country, the optimism of a new society building itself from these foundations.[1]

I love how the third symphony uses his famed Fanfare for the Common Man as a central theme, this idea that while in other countries fanfares would be reserved for only the great and the good descending down to our common level on their golden escalators, in our country that fanfare is open to anyone who is willing to live their best life. We are all capable of greatness as long as we live within that brilliant sunlight that so dominates the most optimistic periods in our art.

The greatest challenge that we humans have ever received is to love one another, to be kind and generous with our compassion, and to work for the betterment of all of us. I see that message fading somewhat today, its brilliance drowned in the neon glow of our own individualism and aspirations for fame and riches. It runs contrary to our culture as it has developed that we ought to prefer charity over transactionalism, that we ought to be kind to each other for no other reason than because it’s the right thing to do. I worry that this is lost amid all the revolving cycles of fads and trends that catch our attention for but a moment only to be overshadowed by the next.

So then, perhaps what I appreciated the most about Niki de Saint Phalle’s later works was as much the longevity of their creation as it was their brilliant colors and joyous expressions. These are works which are meant to last so that generations of people will see them and perhaps in their forms feel a sense of their creator’s joy. I certainly felt that, even now 22 years after Saint Phalle’s death. I took one photo in the exhibit, of a color lithograph she made with a dualistic figure, on the one side with a human face and body and on the other the human frame surrounded by planets, moons, and stars. Beneath the dual figure Saint Phalle wrote in French and English, “La mort n’existe pas / Life is eternal.” I believe through our joy, no matter how childlike it may be, we can live on even after death. As St. Paul wrote, “Rejoice! Your kindness should be known to all.” (Phil. 4:4–9)


[1] Yes, there’s a great deal of problems with that new society’s foundations in the conquest and colonization of this continent.


Niki de Saint Phalle: Rebellion and Joy is on view in the Bloch Building at the Nelson-Atkins Museum of Art from 27 April through 21 July 2024. More information can be found here.